what is petruchios motive in coming to padua
| Petruchio | |
|---|---|
| The Taming of the Shrew grapheme | |
 Petruchio (Kevin Black) in his hymeneals outfit, in a Carmel Shakespeare Festival production at the outdoor Forest Theater in Carmel, CA, October. 2003 | |
| Created by | William Shakespeare |
| Portrayed by | Arthur V. Johnson (silent, 1908) Douglas Fairbanks ("talkie", 1929) Alfred Lunt (phase, 1935) Stanley Baker (Boob tube, 1952) Peter O'Toole (stage, 1960) Richard Burton (film, 1967) Raul Julia (stage, 1978) John Cleese (phase, (idiot box, 1980) Timothy Dalton (stage, 1986) Morgan Freeman (stage, 1990) Neri Marcorè (Italian picture show, 2004) Rufus Sewell (Telly, 2005) David Caves (phase, 2012) Danny Smith (phase, 2018) |
Petruchio (an anglicisation of the Italian name Petruccio; Italian pronunciation: [peˈtruttʃo]) is the male protagonist in Shakespeare's The Taming of the Shrew (c. 1590–1594). Petruchio is a fortune seeker who enters into a marriage with a strong-willed immature woman named Kate and so proceeds to "tame" her temperamental spirit. The role has attracted notable performers.
Plot [edit]
In the play, Petruchio comes to the town of Padua in the hopes of marrying a wealthy woman. Hortensio suggests that he marry Kate Minola, the daughter of one of the wealthiest men in the city, particularly because Hortensio can not court her sister Bianca until Kate is married. Petruchio takes an interest in Kate, owing to the dowry he could potentially receive, and agrees. During his commencement encounter with Kate, he matches her trigger-happy temper and manages to convince her father that she passionately loves him but just pretends to detest him in public. The two are married, with Petruchio arriving at the wedding tardily and forcing Kate to leave the ceremony feast early on.
Petruchio then starts to effort to "tame" his wife in a variety of ways. He frightens Kate by yelling at the servants, and he prevents her from eating by insisting that the dishes are not good enough for her. He so offers Kate dresses and jewellery, simply to render them saying that they too weren't good enough. When Bianca and Lucentio are married, Petruchio refuses to let Kate go to the wedding unless she agrees with everything he says, regardless of the validity of his claims. He puts her to the exam by telling her that a human is a woman and that the moon is the sun – she agrees with both statements.
At the wedding, Petruchio is taunted past Hortensio and Lucentio for having married a "shrew". Petruchio proposes a contest to come across which man has the most obedient wife: The three men are to call for their wives to see which ones respond. Of the three women, only Kate comes, and a triumphant Petruchio is the winner. Petruchio then orders Kate to bring the other wives and give a speech telling them to honour their husbands always.
Character analysis [edit]
Petruchio is debatably the most complex grapheme in The Taming of the Shrew. His actions tin be interpreted in several different lights, with each estimation entirely changing the tone of the play. One popular opinion is that Petruchio is, for the about part, a selfish misogynist adamant to tame Katharine for his own convenience and pride. He simply wanted to tame her to exist able to say he tamed the most shrewish woman. In this estimation, Petruchio marries Katharine solely for her dowry. The counterargument is that Petruchio develops love for Katharine and tames her considering he sees her shrewishness as a status that she cannot cure on her own. Another interpretation is that Petruchio likes Katharine for her strong, challenging personality and takes on taming her as a fun challenge.[1]
Regardless, Petruchio seems to believe, like about members of Christian society did at the fourth dimension, that club is nearly stable if women are submissive to their husbands. There is also some fence nearly how seriously Petruchio should be taken, and hence how we should interpret the meaning of the play. His ridiculous actions, including his unconventional attire at his wedding and his treatment of Katharine one time they are married, are sometimes viewed every bit a reflection of his descent into madness. On the other hand, some run into Petruchio as the fool of the play and aspect his actions to intended comic relief.[ii] Petruchio'south character is very powerful in that the light in which we view him can change the play from a story of male person chauvinism to an absurdist comedy.
Petruchio acts as the shrew [edit]
Petruchio marries Katharine to gain wealth. However, he is not content with her shrewish behaviour and he goes through great measures to assert his dominance over her and tame her. He believes that the but way to become through to Katharine is by giving her a gustatory modality of her own medicine. Petruchio takes on the function of a shrew to prove to his wife that this kind of behaviour is unpleasant. He makes a scene as he shows upwards belatedly to his ain wedding, and dressed inappropriately for the occasion. He decides that he will be the i to determine when Katharine volition eat or sleep, believing that depriving her of her needs makes her more than submissive to him. Toward this end, he besides toys with her listen. On their journeying dorsum to Padua, Petruccio refuses to proceed until Katharine agrees with him that the midday sun is the moon.[3]
References [edit]
- ^ Natale, Rachel (2003). "Such a Mad Wedlock Never Was Before: Kate and Petruchio in "The Taming of the Shrew"" (PDF). The Harper Anthology of Bookish Writing. Xv: 98–101.
- ^ Desmet, Christy. "The Persistence of Character." Shakespeare Studies 34 (2006): 46–55. ProQuest. Web. 30 March 2017.
- ^ Termini, Arabaayah Ali. ""Un-Romanticized" Love in Anthony and Cleopatra and the Taming of the Shrew". GEMA Online Journal of Linguistic communication Studies. fifteen: 191–201.
Source: https://en.wikipedia.org/wiki/Petruchio
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